UltraDrums Specifics

For the ultimate in drum samples, UltraDrums is the one to pick. We have taken years of sample making experience and put the result into this one package.  Your UltraDrums DVD includes cymbal samples!  All samples come in both wav and gog format for universal compatibility.
 
Farview Recording doesn't assume to know what sound you want for your mix. UltraDrums gives you the tools to create your own unique drum sounds to fit your music and your mixing style.
 
We give you four "starting points" to help get you closer to your goal:
 
raw (no processing) ~ you can do whatever you need to make the sound work in your mix
 
processed ~ three different ways of processing for your convenience
 
 
 

All the drums on UltraDrums were sampled with more velocity layers/multisamples, to give you a smoother, more realistic response. 
 
All of the snares and the crash cymbals are sampled in stereo for a more realistic sound. The cymbals are sampled with no processing so you can process and the samples to fit your mix.
 
Included in UltraDrums …
32 kick gogs = 8 kicks, sampled raw and processed three different ways 
22 tom gogs = 3 sets of toms, sampled raw and processed
68 stereo snare gogs = 17 snares, sampled raw and processed three different ways
17 cymbal and percussion gogs, All but the hat and ride are stereo for added realism
 
And the drums are…. (drumroll please!)
 
The Kicks:
DW 22” recorded with an AKG D112- raw
DW 22” recorded with an AKG D112- midrangey
DW 22” recorded with an AKG D112- heavy attack
DW 22” recorded with an AKG D112- smashed
 
Tama Granstar 24 ” recorded with a Sennheiser 421 - raw
Tama Granstar 24” recorded with a Sennheiser 421 - midrangey
Tama Granstar 24” recorded with a Sennheiser 421 - heavy attack
Tama Granstar 24” recorded with a Sennheiser 421 - smashed
 
Tama Granstar 24” recorded with a Shure Beta 52 - raw
Tama Granstar 24” recorded with a Shure Beta 52 - midrangey
Tama Granstar 24” recorded with a Shure Beta 52 - heavy attack
Tama Granstar 24” recorded with a Shure Beta 52 - smashed
 
Ludwig 24 ” recorded with an AKG D112 - raw
Ludwig 24” recorded with an AKG D112 - midrangey
Ludwig 24” recorded with an AKG D112 - heavy attack
Ludwig 24” recorded with an AKG D112 - smashed
 
Ludwig 24” (different heads) recorded with an AKG D112- raw
Ludwig 24” (different heads) recorded with an AKG D112- midrangey
Ludwig 24” (different heads) recorded with an AKG D112- heavy attack
Ludwig 24” (different heads) recorded with an AKG D112- smashed
 
Trick 22" Recorded with a Shure Beta 52- raw
Trick 22" Recorded with a Shure Beta 52- midrangey
Trick 22" Recorded with a Shure Beta 52- heavy attack
Trick 22" Recorded with a Shure Beta 52- smashed
 
Trick 22" Recorded with an AKG D112- raw
Trick 22" Recorded with an AKG D112- midrangey
Trick 22" Recorded with an AKG D112- heavy attack
Trick 22" Recorded with an AKG D112- smashed
 
Trick 22" (Closed front head) Recorded with an AKG D112- raw
Trick 22" (Closed front head) Recorded with an AKG D112- midrangey
Trick 22" (Closed front head) Recorded with an AKG D112- heavy attack
Trick 22" (Closed front head) Recorded with an AKG D112- smashed
 

The Toms:
DW 10” Maple recorded with a Sennheiser 421 - raw
DW 12” Maple recorded with a Sennheiser 421 - raw
DW 14” Maple recorded with a Sennheiser 421 - raw
DW 16” Maple recorded with a Sennheiser 421 - raw
 
DW 10” Maple recorded with a Sennheiser 421 - EQ’d
DW 12” Maple recorded with a Sennheiser 421 - EQ’d
DW 14” Maple recorded with a Sennheiser 421 - EQ’d
DW 16” Maple recorded with a Sennheiser 421 - EQ’d
 

Ludwig 10” Maple recorded with a Sennheiser 421 - raw
Ludwig 12” Maple recorded with a Sennheiser 421 - raw
Ludwig 14” Maple recorded with a Sennheiser 421 - raw
Ludwig 16” Maple recorded with a Sennheiser 421 - raw
 
Ludwig 10” Maple recorded with a Sennheiser 421 - EQ’d
Ludwig 12” Maple recorded with a Sennheiser 421 - EQ’d
Ludwig 14” Maple recorded with a Sennheiser 421 - EQ’d
Ludwig 16” Maple recorded with a Sennheiser 421 - EQ’d
 

Pacific 10” aluminum recorded with a Sennheiser 421 - raw
Pacific 12” aluminum recorded with a Sennheiser 421 - raw
Pacific 14” aluminum recorded with a Sennheiser 421 - raw
 

Pacific 10” aluminum recorded with a Sennheiser 421 - EQ'd
Pacific 12” aluminum recorded with a Sennheiser 421 - EQ'd
Pacific 14” aluminum recorded with a Sennheiser 421 - EQ'd
 

The Snares:
Cravioto tuned high 12x5 Ambient sound using close mics and compressed overheads
Cravioto tuned low 12x5 Ambient sound using close mics and compressed overheads
Cravioto tuned high 13x5 Ambient sound using close mics and compressed overheads
Cravioto tuned low 13x5 Ambient sound using close mics and compressed overheads
Ludwig COW 14x6.5 Ambient sound using close mics and compressed overheads
Pearl Free Floating Maple 14X8 tuned High Ambient sound using close mics and compressed overheads
Pearl Free Floating Maple 14X8 tuned low Ambient sound using close mics and compressed overheads
Pearl Free Floating Brass 14X8 tuned high Ambient sound using close mics and compressed overheads
Pearl Free Floating Brass 14X8 tuned low Ambient sound using close mics and compressed overheads
Pearl Free Floating Maple 14X6 Ambient sound using close mics and compressed overheads
Premier Heavy Rock Nine 14X9 tuned high Ambient sound using close mics and compressed overheads
Premier Heavy Rock Nine 14X9 tuned low Ambient sound using close mics and compressed overheads
Trick copper tuned hi dry 14x6 Ambient sound using close mics and compressed overheads
Trick copper tuned hi ring 14x6 Ambient sound using close mics and compressed overheads
Trick copper tuned low dry 14x6 Ambient sound using close mics and compressed overheads
Trick copper tuned low ring 14x6 Ambient sound using close mics and compressed overheads
Trick copper ring 14x5 Ambient sound using close mics and compressed overheads
Trick copper dry 14x5 Ambient sound using close mics and compressed overheads
Trick copper Dry 14x6 Ambient sound using close mics and compressed overheads
 
Cravioto tuned high 12x5 Deep sound with a solid thunk and bright sizzle
Cravioto tuned high 12x5 Deep sound with a solid thunk and bright sizzle
Cravioto tuned high 12x5 Deep sound with a solid thunk and bright sizzle
Cravioto tuned high 12x5 Deep sound with a solid thunk and bright sizzle
Ludwig COW 14x6.5 Deep sound with a solid thunk and bright sizzle
Pearl Free Floating Maple 14X8 tuned High Deep sound with a solid thunk and bright sizzle
Pearl Free Floating Maple 14X8 tuned low Deep sound with a solid thunk and bright sizzle
Pearl Free Floating Brass 14X8 tuned high Deep sound with a solid thunk and bright sizzle
Pearl Free Floating Brass 14X8 tuned low Deep sound with a solid thunk and bright sizzle
Pearl Free Floating Maple 14X6 Deep sound with a solid thunk and bright sizzle
Premier Heavy Rock Nine 14X9 tuned high Deep sound with a solid thunk and bright sizzle
Premier Heavy Rock Nine 14X9 tuned low Deep sound with a solid thunk and bright sizzle
Trick copper tuned hi dry 14x6 Deep sound with a solid thunk and bright sizzle
Trick copper tuned hi ring 14x6 Deep sound with a solid thunk and bright sizzle
Trick copper tuned low dry 14x6 Deep sound with a solid thunk and bright sizzle
Trick copper tuned low ring 14x6 Deep sound with a solid thunk and bright sizzle
Trick copper ring 14x5 Deep sound with a solid thunk and bright sizzle
Trick copper dry 14x5 Deep sound with a solid thunk and bright sizzle
Trick copper Dry 14x6 Deep sound with a solid thunk and bright sizzle
 
Cravioto tuned high 12x5 Room sound using overheads and room mics
Cravioto tuned high 12x5 Room sound using overheads and room mics
Cravioto tuned high 12x5 Room sound using overheads and room mics
Cravioto tuned high 12x5 Room sound using overheads and room mics
Ludwig COW 14x6.5 Room sound using overheads and room mics
Pearl Free Floating Maple 14X8 tuned High Room sound using overheads and room mics
Pearl Free Floating Maple 14X8 tuned low Room sound using overheads and room mics
Pearl Free Floating Brass 14X8 tuned high Room sound using overheads and room mics
Pearl Free Floating Brass 14X8 tuned low Room sound using overheads and room mics 
Pearl Free Floating Maple 14X6 Room sound using overheads and room mics
Premier Heavy Rock Nine 14X9 tuned high Room sound using overheads and room mics
Premier Heavy Rock Nine 14X9 tuned low Room sound using overheads and room mics
Trick copper tuned hi dry 14x6 Room sound using overheads and room mics
Trick copper tuned hi ring 14x6 Room sound using overheads and room mics
Trick copper tuned low dry 14x6 Room sound using overheads and room mics
Trick copper tuned low ring 14x6 Room sound using overheads and room mics
Trick copper ring 14x5 Room sound using overheads and room mics
Trick copper dry 14x5 Room sound using overheads and room mics
Trick copper Dry 14x6 Room sound using overheads and room mics
 

Cravioto tuned high 12x5 Raw, no processing
Cravioto tuned high 12x5 Raw, no processing 
Cravioto tuned high 12x5 Raw, no processing
Cravioto tuned high 12x5 Raw, no processing
Ludwig COW 14x6.5 Raw, no processing
Pearl Free Floating Maple 14X8 tuned High Raw, no processing
Pearl Free Floating Maple 14X8 tuned low Raw, no processing
Pearl Free Floating Brass 14X8 tuned high Raw, no processing
Pearl Free Floating Brass 14X8 tuned low Raw, no processing
Pearl Free Floating Maple 14X6 Raw, no processing
Premier Heavy Rock Nine 14X9 tuned high Raw, no processing
Premier Heavy Rock Nine 14X9 tuned low Raw, no processing
Trick copper tuned hi dry 14x6 Raw, no processing
Trick copper tuned hi ring 14x6 Raw, no processing
Trick copper tuned low dry 14x6 Raw, no processing
Trick copper tuned low ring 14x6 Raw, no processing
Trick copper ring 14x5 Raw, no processing
Trick copper dry 14x5 Raw, no processing
Trick copper Dry 14x6 Raw, no processing
 
 
 
The Cymbals:
China 18” Sabian AA Chinese recorded in stereo
Cowbell
Crash 14” Sabian AAX Dark Crash recorded in stereo
Crash 16” Sabian AAX Stage Crash recorded in stereo
China 17” Sabian AAX Studio Crash recorded in stereo
China 18” Sabian AAX Dark Crash recorded in stereo
Closed Hat 14” Sabian AA Rock Hats
Half Closed Hat 14 ” Sabian AA Rock Hats
Open Hat 14 ” Sabian AA Rock Hats
Hat Stomp 14 ” Sabian AA Rock Hats
Clave
Ride 20 ” Sabian Rock Ride
Rode Bell 20 ” Sabian Rock Ride
Splash 10” Sabian AAX recorded in stereo
Splash 12” Wuhan recorded in stereo
 

And as if that isn’t enough info!
 
All 139 professionally recorded and processed samples were created to make audio engineers all over the world happy - because we know that when the engineer is happy, everyone’s happy!